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Plains Cooperative Telephone Association Named Certified Gig-Capable Provider by NTCA–The Rural Broadband Association

Arlington, Va., (January 8, 2018) – Plains Cooperative Telephone was today recognized by NTCA–The Rural Broadband Association, the premier association representing nearly 900 independent, community-based telecommunications companies that are leading innovation in rural and small-town America, as a Certified Gig-Capable Provider for delivering gigabit broadband speeds and enabling technological innovation in the Idalia, Kirk, Joes, Cope, Eckley, Anton, Seibert and Burlington communities.

Arlington, Va., (January 8, 2018)

As a Certified Gig-Capable Provider, Plains Cooperative Telephone joins a national campaign to build awareness and industry recognition of community-based telecom providers that have built communications networks capable of delivering Internet speeds of up to 1 gigabit per second, which is 100 times faster than those currently available in many U.S. households.

“I applaud Plains Cooperative Telephone for its commitment to delivering the Internet’s fastest speeds—an accomplishment worthy of much praise considering the unique and challenging circumstances small, community-based telecommunications providers operate under every day in serving some of our country’s most rural and remote communities,” said NTCA Chief Executive Officer Shirley Bloomfield. “By building a gigabit-capable network, Plains Cooperative Telephone has not only overcome these challenges, but also shattered conventional benchmarks for broadband speed to enable cutting-edge technologies that drive innovation and promote economic development in their communities, region and nationwide.”

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U.S. album sales declined in 2017 as streaming continues to grow, according to nike air max 90 essential pink glowing
released this week. The report found that album sales, including both digital and physical, fell 17.7 percent last year to 169.15 million copies, down from 205.5 million in 2016. Meanwhile, streaming once again soared, leading the overall music industry to growth, largely due to the significant 58.7 percent increase in on-demand audio streams over last year.

In total, on-demand audio streams surpassed 400 billion streams in 2017, compared to 252 billion in 2016, and overall on-demand streams, including video, exceeded 618 billion. This led to the music industry’s growth of 12.5 percent in total volume, over 2016.

On-demand audio streaming now accounts for 54 percent of total audio consumption, Nielsen also said, up from 38 percent of the total in 2016 and 22 percent in 2015.

Notably, that makes 2017 the first time on-demand audio has accounted for the majority of audio consumption*.

On-demand audio streaming has also now passed all other ownership formats, including physical and digital album sales and other digital track equivalents, for the first time in history in 2017.

The growth in on-demand streaming even contributed to a 20.5 percent rise in total digital volume in 2017, even while digital album and track purchases were down. With video and audio combined, on-demand streaming grew 43 percent this past year.

Not as surprising, Nielsen found that audio streaming is more popular on weekdays, while video streaming is tops on weekends.

Streaming’s growth is shaping the music market in other ways, too.

For example, RB/Hip-Hop’s popularity with streaming consumers – like those on nike wmns air max 1 premium – white / metallic silver
Spotify, where light up nike air max trainers black
– has now passed Rock as the largest genre in terms of total consumption.

RB/Hip-Hop artists again led total volume this year, scoring 8 out of the top 10 spots for highest volume artists. Drake led with 4.8 million total track equivalents, followed by Kendrick Lamar (3.7M).

Ed Sheeran (3.6M) and Taylor Swift (3.4M), from the Pop genre, came in at number 3 and number 4 respectively, said Nielsen.

Streaming’s growth contributed individual tracks reaching notable milestones, too. For example, in 2017 there were 19 songs that reached 500 million in on-demand streams, compared with only 6 in 2016. (And 17 of those 19 tracks were from the RB/Hip-Hop genre).

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