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The album’s ambitions aren’t only limited to the story, which Stickles has eagerly detailed at the former Rap Genius. Instead, it considers their discography as one giant super-structure. It's packed with callbacks to previous work, which any modest Titus head should be able to pick out. The references range from obvious ("More Perfect Union" follows The Monitor 's "A More Perfect Union"; "I'm Going Insane" is a reprise of Local Business ' "Titus Andronicus vs. the Absurd Universe (3rd Round KO)") to esoteric (lyrical homages to "No Future" and "A More Perfect Union", amongst others) to potentially meaningful: The titular character in "Mr. E. Mann" is the "Electric Man" from Local Business , which was written about a real-life incident in which Stickles was hospitalized after gripping a live microphone during rehearsal for a show.

The idea that electricity and electroshock therapy can cure depression is an old one, hence the smudging of fiction and reality to suggest that the shocks Stickles inadvertently received may have created this fictive doppelganger, who appears to the hero ("I met a mystery man/ On a magic morning") and offers a hopeful path toward clean living. Of course, these layers of potential interpretation are secondary to the fact that "Mr. E. Mann" is simply an enjoyable song, guided by Stickles' sensitive vocal performance and the convergence of harmonica, piano, and strings into what sounds like glistening dew on that magic morning. You don’t need to know that Stickles was shocked by a microphone to enjoy "Mr. E Mann", just as you don’t need to know that he’s from New Jersey to understand the hero's sense of psychic isolation. But like the Hold Steady , the mythology offers deeper enjoyment for anyone willing to burrow into it.

On their earlier albums, Titus Andronicus perfected the art of writing confrontationally self-effacing anthems. Their most potent and most recognized refrains—"You will always be a loser" and "Your life is over"—took on a therapeutic nature when being screamed by crowds of young men and women in the throes of rock-show-as-catharsis. By contrast, the mantras on The Most Lamentable Tragedy look inward. "I hate to be awake"; "I can control something inside of me"; "It's alright"; "I only like it when it's dimed out"; these are confessional observations that sound scribbled in the margins of some diary. Stickles has sounded more personal than this, but never less acidic. This is angst that’s approachable, rather than the starved nihilism that colored their previous records.

Episode 106: supreme nike air force 2018 e7
Recipe: Potato Ragout

These stewed potatoes recall summer for me, when our garden in Lyon gave forth the tiny fingerling potatoes that are particularly good in the dish. It is true family food and it remains a favorite in both my mother’s home and mine.

The ragout reheats well and is excellent served with a tough, slightly bitter green, such as frisée or escarole, seasoned with a strong vinegary or garlicky dressing.

Potato ragout is usually made with lardoons (strips of salt pork or pancetta), but it can also be made with leftover ham or sausage. Salt pork comes from the same part of the belly as bacon and is salted but not smoked, as is bacon. Get the leanest piece you can find. Many recipes direct you to blanch salt pork to make it less salty. Here you need only wash it well under cold water.

Serves 6

1 10-ounce slab salt pork or 10 ounces pancetta, as lean as possible 1 tablespoon peanut oil 3 large onions (1 pound), cut into eighths 2 tablespoons all-purpose flour 1 tablespoon crushed and coarsely chopped garlic 3 bay leaves 1 fresh thyme sprig or 1/2 teaspoon dried thyme 2 1/2 cups water 2 1/2 pounds fingerling or small Yukon Gold potatoes, peeled

Rinse the pork under cold running water, then cut it into 1/2-inch-thick strips. Don’t remove the rind: it gives the sauce a slightly gelatinous texture. Pile the strips together and cut into 1/4- to 1/2-inch-wide strips.

Fry the strips of salt pork in the oil in a large saucepan over medium-high heat for 10 to 12 minutes, stirring occasionally, until they are nicely browned and crisp and have rendered of most of their fat. Add the onions and cook for 5 more minutes, or until lightly browned.

Add the flour and cook for a minute, stirring to brown the flour lightly, which will give the stew a nutty taste. Add the garlic, bay leaves, thyme, and water, stir, and bring to a boil.

Add the potatoes and return to a boil, then reduce the heat, cover, and simmer gently for 45 minutes to 1 hour, until the potatoes are well cooked. They should be soft and creamy. Serve.

Copyright © 2011 by Jacques Pépin. Used by permission of Houghton Mifflin Harcourt. All rights reserved.

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